Marginal Deadpool



Deadpool is as outrageous as ever in his second outing. The film has a fantastic ending but trails from the perspective of its prequel. Christian Tesfaye gives 6 out of 10 stars.


Deadpool 2 has come to theatres even without Avengers: Infinity War having been knocked out of the weekly box-office top 10. Despite the frequency with which Hollywood is throwing comic book movies at us, there are no signs of waning interests of the movie-going public.

Deadpool 2 has opened to over 300 million dollars worldwide in its first week of running, and 125 million in the United States. An indicator of the success that superhero movies are currently enjoying, this makes the film only the second highest opening for an R-rated film, with the film trailing behind its own prequel.

Indeed, after all those superhero movies, it is about time Marvel or DC dropped a superhero movie for adults. Most avenues have been exhausted. Superheroes have shown up in animation and collectively in ensembles, as well as with dark and light undertones.

Deadpool does not offer much in the way of character depth or plot originality. But it was unique in giving us a superhero that breaks the fourth wall, is a third-degree burn victim and vulgar. I liked the film even if I was sceptical of its derivativeness. It required a great deal of courage on the part of the filmmakers – and Ryan Reynolds, who produced and starred in it – to push through with a project that could have turned out to be a colossal failure. Of course, after the success of the first movie, a sequel was a no-brainer

Deadpool 2 begins with Wade Wilson (Reynolds) killing himself, or at least attempting to. We witness in the first act as his girlfriend is murdered by one of the many villains Wade has made a point to rid the world of. The incident leaves him purposeless until he meets a boy with mutant abilities, called Russell (Julian Dennison).

After Deadpool takes matters into his own hands to help Russell from the orphanage where he is being tortured , they are both sent to jail. They do not get to stay there long though, and as a man from the future, Cable (Josh Brolin), breaks into the prison to kill Russell. Deadpool takes it upon himself to form a team and save Russell from the fate that awaits him.

The sequel is disappointing compared to the first. What made the first movie great was never the story, but the liberty the filmmakers took in how Deadpool was going to be presented to the audience.

It was unlikely that they were going to break any more rules, as most of those rules have been broken the first time around. The sequel plays around with most of the established tropes in the original and merely tries to be more outrageous. Some jokes are even derivative, with Deadpool again referencing the lack of X-men characters at the X-mansion.

It all comes down to the story then. I was not a fan of the first two acts. They are not written well, and the scenes seemed constructed haphazardly. Even the jokes seemed forced.

Most of the good moments in Deadpool 2 are found in the third act. There are a number of funny scenes concentrated there, a notable one being where the protagonist grows baby legs. The action sequences also get better, and the conflict is resolved in a manner not akin to that of most other comic books.

The Deadpool franchise should be recognised for its unique marketing schemes as well. The studio behind the film, 20th Century Fox, has not merely dropped trailers for the movies. The shorts featuring Deadpool had considerably upgraded the marketing. One stars the superhero praising Canada, another, my favourite, shows him apologising to David Beckham for a joke that was made about the footballer in the original film.

In the digital age, cinema is facing great competition from mediums as diverse as video games and TV shows. It is through such creative advertising that takes a full understanding of the information age that it is possible to rise above the rest.

I saw Deadpool 2 at the new cinema hall of Century Mall. I should say that the theatre rivals that of Matti Cinema in terms of audio and video quality. They also do not show in tiresome 3D, at least not yet. It is a good thing to have an alternative, but it would have been better had the Mall been offering different movies. It is perhaps too much to expect, but screening more under the radar movies should significantly elevate the multiplex’s status.



By Christian Tesfaye
Christian Tesfaye (christian.tesfaye@addisfortune.net) is Fortune's Op-Ed Editor whose interests run amok in the directions of both print and audiovisual storytelling.

Published on May 26,2018 [ Vol 19 ,No 943]


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